DEATH
MAGIC
Retro Horror Vibes!
The twists & turns of this unusual feature will keep viewers fastened to their seats.
Rapport Magazine
The juxtaposition of time past and present in DEATH MAGIC makes for a fascinating anachronistic kaleidoscope, prosaic events fitting into a mosaic of murder and magic with just the right touch of tasteful nudity to insure rapt attention until the next shocking sequence.
Forrest Ackerman
Founding editor, Famous Monsters of Film Land
The better than average story and well done costuming make this film better than most I've viewed here at Film threat video Guide
Michael Ling
Film Threat Video Guide
It's good to know that people are still making films like this one. […] the spectral killer of the tale, might just be the new "Freddy" of the 1990's nightmares of a new generation of horror film goers.
Michael Copner
Cult Movies & Video Magazine
At last, a horror film that takes itself seriously. No sophomoric humor or moronic sight gags, just pure thrills and chills.
Keith J. Crocker
The Exploitation Journal
Unveil the terror of the 1992 cult classic, Death Magic – where horror and dark magic collide
The occult and wild west
Unleashed Necromancy
a Definitive 1990s Indie Horror Classic
Vengeful Spirits and Betrayal Revealed
93 Minutes of Blood-Soaked Terror
Gore, Necromancy & Unleashed Betrayal
Gore, Necromancy & Unleashed Betrayal
meet THE DIRECTOR
Paul E. Clinco, the creative force behind Domino Theatre's production of DEATH MAGIC, had a captivating and unconventional journey into filmmaking. A medical doctor, Clinco's passion for music and theatre flourished while studying theatre at UCLA. Balancing his medical career with his artistic pursuits, he played blues piano in Chicago and wrote plays, short stories, and novels all while working in emergency medicine. Clinco's ability to juggle these diverse interests spoke to his dedication and versatility.
Clinco's debut film, DEATH MAGIC, is a testament to his lifelong fascination with thrillers and horror movies. His involvement with the Society for Creative Anachronism (SCA), which reenacts medieval history and combat, provided a unique backdrop for his storytelling. Drawing from his extensive experience in emergency medicine, Clinco focuses on the emotional responses to crises rather than on mere gore.
